I work with tactile objects that then become interactive elements, creating a sense of concurrent realities, and of actions having forms. The viewer’s movements and noise creates a physical forms throughout many of my installations.
When approached, a wall sized projection of volcanos in Nicaragua begin to disintegrate. Your movements in front of the volcano will also, at the same time, create multitudes of drawings and video imagery on the opposite side of the room. This imagery (drawings, paintings, film) are inspired by the poem “The Drowned Horse” by Pablo Antonio Cuandra, which warned of imperialist threat. The imagery is also in physical form on the third wall of the space.
“Far Away” is a multi-platform ( documentary shorts, fine art, interactive installations) project on poetry in Nicaragua. Participants include previous Vice President (and 2017 César Award winner) Sergio Ramirez. BACKGROUND I am of Nicaraguan descent and began filming in Nicaragua during visits in Nov. 2013 and November 2015. I return to Nicaragua in February 2018 to complete filming and showing work with the Granada Poetry Festival.
Four wall size paintings of refugee land with audio activated projected arabic text on the floor and through the windows. The arabic is a poem on traveling across the Mediterranean sea, written by an anonymous Syrian refugee. Final show included a live performance with vocal artist Ami Yamasaki
Interactive visuals with pianist Hitomi Honda at the New York University PhD Waverly Labs for Music and Computing for AV showcase.
Un-rehearsed improv with only the theme of mistakes (as in the title) and idea of freedom.
The visuals are my hand drawn drawings as well as an arabic refugee poetry and a video of a starling murmuration.
Projections line drawings responding to environmental audio, specifically the sounds emanating from the floor
Memories as objects. Participants can listen using earphones to a track I created of poetry, music and conversations whose frequency and amplitude are generating the visuals on the walls. When participants talk into one of the provided microphones, the visuals are impacted — and this impact is recorded and looped in the next visual rotation— creating a permanent mark
Braile lights are projected when you walk up the stairs. The staircase is lined with canvasses of sewed braille that say” I am not telling you what to do but you have to do” which is a line from a narration by a ten year old child I met in Nicaragua. As you walk up the stairs, you activate the entire narrative which discusses the responsibility of Americans to give to Nicaragua. Every stair generates a new paragraph of this narrative in braille, demonstrating intentional blindness.
Many of my projection are made using my original software “APE” ( co-created with programmer Thomas Martinez)
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